A lawsuit accusing YouTube of operating a two-tier copyright enforcement system is seen by some as a beacon of hope for smaller artists. YouTube’s failure to have the case dismissed was recently publicized in entertainment media, but few outlets addressed the allegations of fraud that have dogged the case from the start. Google’s latest filing offers a comprehensive reminder.

Given the very nature of the platform, right from the start YouTube’s future was never destined for plain sailing across a sea of tranquility, underpinned by promises of equality for all.

YouTube’s many achievements are hard to deny. It has provided the tools for ordinary people to achieve extraordinary things, but not all creators and artists are treated equally. Nowhere is this disparity more bitterly decried than in a 2020 class action lawsuit headed up by Grammy award-winning musician Maria Schneider.

Even after more than two years of legal action, predicting a ‘winner’ seems premature but making a case for who should win only feels like announcing defeat for both sides.

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